I had the pleasure of interviewing Kurt Woerpel, a graphic designer and illustrator known for his bold, experimental approach to design. As the former Art Director of Interview magazine, he played a key role in shaping its striking visual identity. Interview—founded in 1969 by Andy Warhol and British journalist John Wilcock—has long been celebrated for its raw, intimate conversations between the world’s most creative minds.
For this project, I designed a newspaper-style publication that captured our conversation about his time at Interviewmagazine, his creative process, and the evolution of the publication’s aesthetic. To highlight Woerpel’s work, I incorporated his own illustrations throughout the spread, allowing his dynamic and unconventional style to take center stage. The result is a piece that not only showcases his artistic influence but also pays homage to Interview's legacy of fearless, boundary-pushing design.
Ivy Roots is a visual exploration of how Black culture has redefined and subverted the Ivy Look, a style once associated with the privileged elite. Inspired by Black Ivy: A Revolt in Style by Graham Marsh and Jason Jules, this photobook traces the evolution of Black fashion from the 1960s to today, highlighting how Black individuals have reclaimed, reinterpreted, and reshaped classic collegiate aesthetics.
Through a curated collection of imagery, Ivy Roots captures the enduring influence of this style—merging tradition with rebellion, refinement with resistance. It serves as both an homage to the past and a reflection on the ways Black fashion continues to challenge, innovate, and redefine cultural narratives.
The Innocent is a book I created that explores the stories of men and women who were wrongfully convicted based on their appearance—particularly due to racial bias. This publication is inspired by The Innocent, a documentary by Tary Simmons that interviews individuals about their experiences with wrongful convictions.
Using transcripts from the documentary, each chapter highlights a different person’s story, offering an in-depth look at their experiences and identities. The design incorporates earthy tones like greens and neutrals to evoke a sense of groundedness, resilience, and the connection between their lives and nature. Through this book, I aim to shed light on the profound impact of injustice while honoring the strength of those who have endured it.
In my Typography III project, Spoken, I examine the dynamic interplay between African American Vernacular English (AAVE) slang and the music industry. This publication explores the adaptability of AAVE, presenting its linguistic depth through curated Urban Dictionary definitions alongside its usage in musical contexts. By highlighting the evolving role of AAVE in shaping cultural narratives, Spoken prompts a discussion on its significance, appropriation, and influence within the industry. Designed as a visually immersive experience, this book celebrates the expressive power of language and its impact on contemporary music.